Історико- й культурно-стильові пограниччя в українській етномузиці
DOI:
https://doi.org/10.31318/2522-4212.2020.15.219346Ключові слова:
етномузика, музичний фольклор, стратифікація етнокультурного простору, пограниччя, фронтир, інтерференція, міжкультурна трансмісія, асиміляціяАнотація
Актуальна в сучасній гуманітаристиці парадигма погранич розглядається автором як можливий інструмент осмислення етномузичних явищ, що виникають на перетині культур – як усередині фольклору, так і на його межах. Завданнями роботи є, окрім самої постановки питання, також спроба типології культурних і культурно-стильових погранич у музичному фольклорі, характеристика їхньої специфіки і властивостей – а рівно й опис форм та способів їх відбиття у всякого роду порубіжних і кроскультурних фольклорних текстах.
Посилання
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