Ще раз про українське народне багатоголосся (типи фактурного устрою)
DOI:
https://doi.org/10.31318/2522-4212.2019.14.183850Ключові слова:
українська народна пісенність, типи багатоголосся, гетерофонія, унісон, поліфонія, втора, функціонально-гармонічна фактура, кантова фактураАнотація
У статті систематизовано типи українського народного багатоголосся (далі УНБ) та обґрунтовано їх поділ на різновиди на основі нових експедиційних знахідок та розгляду досліджень українських етномузикологів (В. Матвієнка, А. Іваницького, Л. Трубнікової, І. Пясковського, В. Осадчої, О. Смоляка) і розвідок авторки. Підтверджено й розвинено концепцію київських етномузикологів (О. Мурзиної, Є. Єфремова). Конкретизовано значення поширених термінів, запропоновано нові. Узагальнено висвітлено географічну дислокацію типів/видів УНБ у регіонах. Характеризуються мало відомі артефакти орнаментованого октавного (і двохоктавного) співу на Наддністрянському Поділлі. Простежено ознаки розбіжностей і сходжень видів УНБ Нового часу, що дозволяє виявити в різних регіональних стилях загальнонаціональні риси як віддзеркалення закономірностей етномузичного мислення українців.
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