Традиційні зимові мелодії у басейні верхньої Самари
DOI:
https://doi.org/10.31318/2522-4212.2017.12.132243Ключові слова:
музичний фольклор, зимові обрядові пісні, колядки, щедрівки, мелотип, верхів’я річки Самари, Нижня Наддніпрянщина, ДніпропетровщинаАнотація
Уперше детально розглянуто зимові обрядові наспіви локальної етномузичної традиції верхньої течії річки Самари в історико-етнографічному контексті. Колядки та щедрівки – за повної відсутності інших календарних жанрів – на сьогодні представляють найдавніший шар місцевого музичного фольклору в репертуарі носіїв народної пісенності. Матеріалом для публікації стали зразки відповідних жанрів, записані автором у складі експедицій Лабораторії фольклору та етнографії Дніпропетровської академії музики ім. М. Глінки 2016–2017 років до Петропавлівського району Дніпропетровської області, а також пісні, знайдені у друкованих та архівних джерелах. Ці твори систематизовано з різних точок зору: їх вікової виконавської приналежності, ритмічної структури, композиційних та ладових особливостей. За цими показниками створено статистичні таблиці та карти географічного поширення зи-мових обрядових наспівів, виявлених на досліджуваній території. З’ясовано, що наспіви дитячого репертуару (одно- чи двоелементні структури примітивної ритмічної та мелодичної будови) фіксуються практично у кожному відвіданому населеному пункті, що дозволяє зробити висновок про суцільний ареал їх побутування. Репертуар дорослих гуртів щедрівників представлений строфічними формами з приспівом і виявляє музич-но-стильові ознаки, що наближують місцеві щедрівки до кантових форм співу. Це такі характерні для Лівобережжя риси: урочистий характер виконання у помірному або повільному темпі, протяжність, розспівність мелодій широкого звукорядного обсягу, активне ритмічне дроблення базових силабохрон, поява додаткових складів, які проспівуються, багатоголосна фактура тощо. Поширення таких структур на вивчених теренах виявилось нерівномірним.Посилання
Dorokhova, K., Osadcha, V., Plotnyk, N. (compil.) (2002). Muravs'kyy shlyakh-2002: Fol'klorni oseredky Kharkivshchyny [Muravs’kyy shlyakh-2002: Kharkiv region folklore features]. Kharkiv: Rehion-inform, 379 p. [in Ukrainian].
Evarnitskiy, D. I. (1906). Malorossiyskie narodnyie pesni, sobrannyie v 1878–1905 gg. [Folk songs from Russia-Minor, collected in the years 1878–1905]. Ekaterinoslav, 772 p. [in Russian].
Honcharenko, O.(2010). Obryadovi pisenni zhanry Sumshchyny: heohrafiya osnovnykh rytmotypiv [Ritual folk songs genres from Sumy region. Geography of the main rhythm-types]. In Klymenko, I. V. (Eds.) [Problems of Ethnomusicology. Collection of scientific articles]. Kyiv: Ukrainian National Tchaikovsky Academy of Music, The Problematic Scientific Research Laboratory of Music Ethnology, Iss. 5. P. 1: Studio, pp. 31–42, P. 2: Atlas, K6–K8. [in Ukrainian].
Goryunov, E. A. (1973). Nekotorye voprosy istorii dneprovskogo lesostepnogo Levoberezh'ya v V – nach. VIII v. [Some cases from Dnipro forest-steppe left bank history, the 5th – early 8th centuries]. Sovetskaya arkheologiya [Soviet archaeology], 4, pp. 99–112. [in Russian].
Goryunov E. A. (1981). Ranniye etapy istorii slavyan dneprovskogo Levoberezh’ya [Early stages of Dnipro Left bank Slavs history]. Leningrad, 135 p. [in Russian].
Goshovskiy, V. L. (1971). Tipy ukrainskikh kolyadok i ikh strukturno-ritmicheskye raznovidnosti u slavyan [Types of Ukrainian kolyadki and their structure-rhythmic formations for Slavs] At the origins of the folk music from Slavs. Essays on musical Slavic studies. Moscow: Sovetskyi compozitor, pp. 81–138. [in Russian].
Hrytsa, S. (2009). Skhodzhennya ta opozytsiyi u slovesno-muzychnomu fol’klori etnichnykh pohranych [Similarities and oppositions in the verbal-musical folklore of ethnic borderlands]. [Scientific bulletin of Ukrainian National Tchaikovsky Academy of Music. Collection of scientific articles]. Kyiv, Iss. 80, pp. 337-359. [in Ukrainian].
Hrytsenko, P. Y. (2004). Karta hovoriv ukrains'koi movy. Dodatok do statti «Hovir» [Map of the Ukrainian language. Appendix to the article «Dialogue»]. [Ukrainian language: Encyclopedia]. Kyiv: M. P. Bazhan «Ukrainian Encyclopedia», 824 p. [in Ukrainian].
Yefremov Ye. (2016). Zymovi pisni. Kolyadky i shchedrivky [Wintertime songs. Kolyadky and schedrivky] History of Ukrainian music in 7 volumes. Kyiv: NAN Ukrayiny, IMFE im. M. Ryl's'koho [Ukrainian National Academy of Sciences, M. Rylskyi Institute of Art, Folklore and Ethnography], Vol. 1, pp. 41–55. [in Ukrainian].
Yefremov, Ye. (2016). Rytmokompozytsiyna budova tradytsiynykh kolyadok i shchedrivok – rozmayittya i yednist’ [Rhythm-compositional structure of traditional kolyadky and schedrivky – differences and similarities].In Klymenko, I. V. (Eds.) [Problems of music ethnology: Collection of scientific articles]. Kyiv: Ukrainian National Tchaikovsky Academy of Music, The Problematic Scientific Research Laboratory of Music Ethnology, Iss. 11, pp. 8–14. [in Ukrainian].
Zemtsovskiy, I. (1975). Melodika kalendarnykh pesen [Melodic lines of calendar songs]. Leningrad, 222 p. [in Russian].
Isayev, D. V. (Add.) (2014). Istoriya Ukrayiny. 5 klas. Atlas [History of Ukraine, for the 5th form. Atlas] Kyiv: Kartohrafiya, 24 p. [in Ukrainian].
Isayev, D. V. (Add.) (2012). Istoriya Ukrayiny. 7 klas. Atlas z konturnymy kartamy [History of Ukraine, for the 7th form. Atlas with contour maps]. Kyiv: Kartohrafiya, 16 p. [in Ukrainian].
Kvitka, K. (1971). Pesni ukrainskih zimnih obryadovyih prazdnestv [Ukrainian wintertime ritual feasts songs] Kvitka Kliment. Selected works, in 2 vol. (Compilation and comments of Goshovskiy V.). Moscow: Sovetskyi compozitor, Vol. 1, pp. 103–155. [in Russian].
Klymenko, I. (2012). Zymovyy obryadovo-pisennyy tsykl v ukrayintsiv: klyuchovi formy ta yikh kartohrafuvannya (Do problemy vizualizatsiyi meloanalitychnykh parametriv na heohrafichnykh kartakh) [Cycle of wintertime ritual folk songs in Ukraine: key-forms and their mapping (on the problem of melo-analyzing parameters visualization on geographic maps]. In Klymenko, I. V. (Eds.) Problems of music ethnology: Collection of scientific articles. Kyiv: Ukrainian National Tchaikovsky Academy of Music, The Problematic Scientific Research Laboratory of Music Ethnology, Iss. 7, P. 1, pp. 109–121, Atlas. K11–17. [in Ukrainian].
Klymenko, I. (2016). Ukrayins'ka zymova makroarealohiya v konteksti slov’yano-balt·s'koho rann'otradytsiynoho melomasyvu (SBRM). Chastyna 1 [Ukrainian wintertime macro-arealogy in the context of Slavic-Baltic early traditional melo-massive. Part. 1.]. In Klymenko, I. V. (Eds.) Problems of music ethnology: Collection of scientific articles. Kyiv: Ukrainian National Tchaikovsky Academy of Music, The Problematic Scientific Research Laboratory of Music Ethnology, Iss. 11., P. 1, pp. 15–20, Athl. A8, A10–12 [in Ukrainian].
Koropnychenko, H. (1998). Perekhidna zona yak ob"yekt meloheohrafiyi (za materialamy vesil'nykh naspiviv mezhyrichchya Tetereva ta Irpenya) [Cross-border zone as object of melogeography (on wedding songs materials from the region in between of Teterev and Irpen rivers)]. In Klymenko, I. V. (Eds.) Problems of Ethnomusicology. Collection of scientific articles. Kyiv: Ukrainian National Tchaikovsky Academy of Music, Iss. 1, pp. 137–166. [in Ukrainian].
Krasykov, M., Oliynyk, N., Osadcha, V., Semenova, M. (Compil.) (1998). Muravs’kyy shlyakh-1997: Materialy kompleksnoyi fol'klorno-etnohrafichnoyi ekspedytsiyi [Muravs’kyy shlyakh-1997: materials of complex folklore-ethnographic expedition]. Kharkiv, 360 p. [in Ukrainian].
Kurochkin, O. V. (1978). Novorichni svyata ukrayintsiv. Tradytsiyi ta suchasnist' [New Year time feasts for Ukrainians. Traditions and present times]. Kyiv: Naukova dumka, 191 p. [in Ukrainian].
Loza, Yu.(Ed.) (2003). Ukrayina. Istorychnyy atlas. 8 klas: Kontseptsiya ta avtors'ke opratsyuvannya map [Ukraine. Historical atlas, for the 8th form: Conception and authorised map edition]. Kyiv: Presa Ukrayiny, 32 p. [in Ukrainian].
Lukanyuk, B. (1983). K teorii pesennogo tipa [Concerning the theory of song type]. Narodnaya pesnya. Problemyi izucheniya [Folk song. Investigation problems]. Leningrad, pp. 124–135 [in Russian].
Lukanyuk, B. (2016). Rytmichna variatsiynist' u pisennomu fol'klori: Teoretyko-metodolohichne doslidzhennya [Rhythmic variability in singing folklore: theoretical-methodical investigations]. L'viv: Musical Ethnology Problem Scientific Research Laboratory, Department of Musical Folkloristics, Lviv M. Lysenko National Academy of Music, 208 p. [in Ukrainian].
Lukanyuk, B. (1996). Rytmichne variyuvannya [Rhythmic variations]. The 7th Conference for Reseachers of Folk Music in Red-Rus’ (Galicia and Volodymyria) and Adjacent Lands: Essays. L'viv, pp. 3–18 [in Ukrainian].
Lyubymova, A. (2016). Zymovi pisni Pravoberezhzhya Dnipropetrovs'koyi oblasti [Wintertime folk songs from Dnipropetrovsk right bank region]. In Klymenko, I. V. (Eds.) Problems of music ethnology: Collection of scientific articles. Kyiv: Ukrainian National Tchaikovsky Academy of Music Publishers, The Problematic Scientific Research Laboratory of Music Ethnology, Iss. 11, pp. 77–82 [in Ukrainian].
Muravs'kyy shlyakh-2000 [Muravs’kyy shlyakh-2000]. (2000) Kharkiv: Rehion-inform, 152 p. [in Ukrainian].
Murzyna, O. (2016). Narodne bahatoholossya [Folk multi-part singing tradition]. History of Ukrainian music, in 7 vol. Kyiv: Ukrainian National Academy of Sciences, M. Rylskyi Institute of Art, Folklore and Ethnography.Vol. 1,pp. 340–368 [in Ukrainian].
Murzyna, O. (2013). Serednya Naddnipryanshchyna v istorychnomu konteksti formuvannya tradytsiyi [Middle Naddnipryanshchyna in historical context of tradition formation].In Klymenko, I. V. (Eds.) Problems of music ethnology: Collection of scientific articles. Kyiv: Ukrainian National Tchaikovsky Academy of Music Publishers, Iss. 9, pp. 12−37 [in Ukrainian].
Murzyna, O. (2004). Sol'na liryka livoberezhnoyi Naddnipryanshchyny: pytannya metodyky analizu [Solo lyrics from left bank Naddnipryanshchyna: issues on analyze methods].In Murzyna, Olena (Eds.) [Problems of Ethnomusicology]. Kyiv: Ukrainian National Tchaikovsky Academy of Music Publishers, Iss. 2, pp. 210–239 [in Ukrainian].
Novykova, L. I. (Add.) (1996) Pisni Slobids’koyi Ukrayiny: Fonohrafichna zbirka Pisni Kharkivshchyny [Slobozhanshchyna region Ukrainian songs. Phonographic collection of Kharkiv region folk songs]. Kharkiv: Maydan, Iss. 1, 188 p. [in Ukrainian].
Novykova, L. I. (Add.) (2006) Pisni Slobids’koyi Ukrayiny: Navchal'nyy posibnyk [Slobozhanshchyna region Ukrainian songs.Handbook]. – Kharkiv: TO Eksklyuzyv, 188 p. (with audio CD) [in Ukrainian].
Novykova, L. (2004). Pro istorychnu dynamiku zhanrovoho ryadu slobozhans'koho fol'kloru XX-go storichchya [On historical dynamics of genre subjects from 20th C. Slobozhanshchyna folklore].In Murzyna, O. (Eds.) Problems of Ethnomusicology. Collection of scientific articles. Kyiv : Ukrainian National Tchaikovsky Academy of Music Publishers, Iss. 2, pp. 284–293 [in Ukrainian].
Osadcha, V. (2011). Obryadova pisennist' Slobozhanshchyny : navch. posib. [Ritual folk singing tradition in Sloboda region. Handbook]. Kharkiv: Vydavets’ Savchuk O. O., 184 p., ill. (Seriya «Slobozhans'kyy svit» [Sloboda region world. Book series]. Iss. 2). [in Ukrainian].
Pshenichkina, H., Lyubymova, A.(Add.) (2016). Narodni pisni suchasnoyi Dnipropetrovshchyny. Vypusk I. Tomakivs'kyy rayon [Folk songs of contemporary Dnipropetrovsk region. Part 1. Tomakivka rayon]. Dnipro: Lira, 56 p., 8 foto. [in Ukrainian].
Pshenichkina, G. (2016). Muzyikalnaya folkloristika yugo-vostochnoy Ukrainyi: nauchno-issledovatelskaya deyatelnost Dnepropetrovskoy akademii muzyiki im. M. Glinki [Musical folkloristics from South-East Ukraine: scientific research activities at Dnipropetrovsk M. Glinka Academy of Music]. Tradicija ir Dabartis. Tradition & Contemporarity: Mokslo darbai [Scientific works]. Klaipeda, Klaipedos universiteto leidykla [Klaipeda University Publishers], Iss. 11, pp. 276–278.
Pshenichkina, H. (2016). Tradytsiyni zymovi naspivy Pravoberezhnoyi Cherkashchyny: typolohichna i heohrafichna opozytsiya Naddnipryanshchyny i Podillya [Traditional wintertime folk songs from Right Bank Cherkasy region: typological and geographical opposition of Naddnipryanshchyna and Podillya].In Klymenko, I. V. (Eds.) Problems of Ethnomusicology. Collection of scientific articles. Kyiv: Ukrainian National Tchaikovsky Academy of Music Publishers, The Problematic Scientific Research Laboratory of Music Ethnology, Iss. 11., P. 1, pp. 62–76 [in Ukrainian].
Rusanenko, V. (2016). Dmytrivka. Materialy z istoriyi ridnoho krayu [Dmytrivka. Materials on motherland’s history]. Pavlohrad: ART SYNTEZ, 144 p.[in Ukrainian].
Steblyanko, O. (Collective work, musical notation)(1998), Novykova, L. (Compil.) Pisni Slobids’koyi Ukrayiny. Zapysy z Lebedynshchyny [Slobozhanshchyna region Ukrainian songs. Recordings from Lebedyn localities]. Kharkiv: Maydan, 200 p. [in Ukrainian].
Sopilka, T. (2004). Shchedrivky u pisenniy tradytsiyi Poltavshchyny (za materialamy ekspedytsiy 1986–2000 rr.) [Shchedrivky in the Poltava region folk singing tradition (on materials of 1986-2000 years expeditions)].In Murzyna, O. (Eds.) Problems of Ethnomusicology. Collection of scientific articles. Kyiv: Ukrainian National Tchaikovsky Academy of Music Publishers, Iss. 2, pp. 240–254 [in Ukrainian].
Stupnyts'kyy, V. (2007). Pisni Slobids'koyi Ukrayiny [Songs from Ukrainian Slobozhanshchyna region]. Kharkiv: Maydan, 52 p. (Studiyi z fol'kloru ta etnohrafiyi Slobozhanshchyny [Slobozhanshchyna region folklore and ethnography studies]. Iss. 1). Reprint from edition: V. Stupnyts'kyy (1929). Pisni Slobids'koyi Ukrayiny [Songs from Ukrainian Slobozhanshchyna region]. Kharkiv: DVU, 43 p. (Biblioteka muzychnoyi etnohrafiyi [Library of musical ethnography]). [in Ukrainian].
Suprun-Yaremko N. (2007). Kolyadky i shchedrivky Kubani: Fonohrafichnyy zbirnyk [Koliadky and schedrivky from Kuban region: Phonographic collection] (Antolohiya ukrayins'kykh narodnykh pisen' Kubani [Anthology of Kuban region Ukrainian folk songs], Iss. 1). Rivne: Volyns'ki oberehy, 184 p. [in Ukrainian].
Tereschenko, A. (1994). Pesni hristianskoy syuzhetiki v traditsionnom zimnem tsikle Stepnoy Ukrainyi (ot kolyadki do psalmyi): dipl. rabota. Nauchn. ruk. A. Kruchinina [Songs on Christian subjects in traditional wintertime cycle of Steppe Ukraine (from kolyadky to psalms): diploma work. Supervisor A. Kruchinina]. Kirovograd–S.-Peterburg: St.-Petersburg conservatoire, 120 p. (Attachment: 100 p., including 85 p. musicial notes, 1 map). [in Russian].
Tereshchenko, O. (2014). Velykodnye khrystuvannya z Pidlisnoho: tekst i kontekst [Easter christening in Pidlissya: text and context]. In Klymenko, I. V. (Eds.) Problems of music ethnology: Collection of scientific articles. Kyiv: Ukrainian National Tchaikovsky Academy of Music Publishers, Iss. 9, pp. 119–145 [in Ukrainian].
Tereshchenko, O. (2016). «Melanka» v Peredstepovomu y Stepovomu Pravoberezhzhi ta na Skhidnomu Podilli (porivnyal'na rozvidka) [«Melanka» in Pre-Steppe and Steppe Right Bank and in East Podillya (comparative discovery)]. In Klymenko, I. V. (Eds.) Problems of music ethnology: Collection of scientific articles. Kyiv: Ukrainian National Tchaikovsky Academy of Music, The Problematic Scientific Research Laboratory of Music Ethnology, Iss. 11., P. 1, pp. 28–49. [in Ukrainian].
Tyurykova, O. V. (Add.) (2009) Muzychnyy fol’klor Donbasu: Kalendarno-obryadovi pisni donets'koyi ta sumizhnykh oblastey [Donbas region Musical folklore: calendar-ritual folk songs from Donbas and neighbouring regions]. Donets’k: Yuho-vostok, 341 p. [in Ukrainian].
Tyurykova, O. (2004). Rushiynyy komponent fol'klornoyi dynamiky (do vyvchennya fol'kloru Donechchyny) [Activation component of folklore dynamics (researching folklore from Donetsk region)]. In Murzyna, O. (Eds.) Problems of Ethnomusicology. Collection of scientific articles. Kyiv: Ukrainian National Tchaikovsky Academy of Music Publishers, Iss. 2, pp. 294–316 [in Ukrainian].
Ukrayins’ka etnolohiya: Navch. posibnyk [Ukrainian ethnology. Handbook] (2007). Kyiv: Lybid', 400 p. [in Ukrainian].
Vinogradova, L. N. (1982). Zimnyaya kalendarnaya poeziya zapadnykh i vostochnykh slavyan. Genezis i tipologiya kolyadovaniya [Winter calendar poetry of western and eastern Slavs. Genesis and typology of Christmas rituals]. Moscow: Nauka, 256 p. [in Russian].
Vlasov, V. S. (2013). Istoryko-heohrafichni rehiony Ukrayiny [mapa] [Historical-geographic regions of Ukraine [map]]. History of Ukraine (Introduction to history). Handbook for the 5th form of basic schools. Kyiv: Heneza, p. 64.[in Ukrainian].
Vovk, O. (2006). Pisni zatoplenoho krayu: Tradytsiyni obryadovi pisni z mezhyrichchya Dnipra ta nyzhn'oyi Suly : Zbirnyk muzychno-etnohrafichnykh materialiv: Dyplomna robota. Nauk. ker. Ye. Yefremov [Songs of flooded lands. Traditional ritual folk songs from the region between Dnipro and low Sula rivers. Collection of musical-ethnographic materials. Diploma work. Supervisor Ye. Yefremov. Kafedra muzychnoyi fol’klorystyky NMAU im. P. I. Chaykovs'koho [Department of musical folkloristics, Ukrainian National Tchaikovsky Academy of Music]. Kyiv, 29 p. and 100 musicial notes and lyrics. [in Ukrainian].
Yavornyts’kyy, D. (2005). Zaporozhzhya v zalyshkakh starovyny i perekazakh narodu [Zaporozhzhya in historical heritage and folk tales]. Dnipropetrovs'k: ART-PRES. Part I, II, 264+401 pp. [in Ukrainian].
Administratyvno-terytorial’nyy podil Ukrayiny stanom na 1 veresnya 1917 roku: huberniyi, povity, okruhy, viddily, oblasti v Rosiys'kiy imperiyi ta okruhy, komitaty, kapitanaty v Avstro-Uhors'kiy imperiyi [Administrative territorial regions of Ukraine on September the 1st, 1917: regions, sub-regions, (etc.) in Russian empire, and regions, (etc.) in Austro-Hungarian empire] Retrieved from: http://etnoua.info/rajonuvannja (Date of access to the site 06.02.2017).[in Ukrainian].
Holovni etnohrafichni regiony Ukrayiny (XVIII-XX st.). Karta etnohrafichnoho rajonuvannia Ukrainy z arkhivu Ivana Honchara. Natsional'nyy tsentr narodnoyi kul'tury «Muzey Ivana Honchara» [Main ethnographic regions of Ukraine (18th-20th C.C.). Map of ethnographic zoning of Ukraine from Ivan Honchar collection. National folk culture centre «Museum of Ivan Honchar». Retrieved from: http://etnoua.info/rajonuvannja (Date of access to the site 06.02.2017).[in Ukrainian].
Homan, Iohann Baptiste (1712-1720). Ukrania quae et Terra Cosaccorum cum vicinis Walachiae, Moldoviae[map][Ukrayina abo kozats'ka zemlya z prylehlymy provintsiyamy Valakhiyi, Moldaviyi i Maloyi Tatariyi], [Ukraine or Cossack lands with neighbouring Valakhiya, Moldaviya and Tartar-Minor provinces]. Nuremberg.Retrieved from: http://etnoua.info/rajonuvannja (Date of access to the site 06.02.2017).[in Ukrainian].
Kosmina, Tamara, Kosmina, Oksana.Ukrayina. Etnohrafichni regiony stanom na kin. XIX − poch. XX st. za kompleksamy oznak zhytla ta odyahu (karta)[Ukraine. Ethnographic regions at late 19th – early 20th C.C., according to complex data from way of living and dressing traditions (map)]. By edition: Ukrayina y ukrayintsi: Halychyna, Bukovyna: Istoryko-etnohrafichnyy mystets'kyy al'bom Ivana Honchara (vybrani arkushi) [Ukraine and Ukrainians: Halych, Bukovyna regions: historic-ethnographic art album by Ivan Honchar (selected works)](2007). Kyiv: UTsNK «Muzey Ivana Honchara», PF «Oranta», 314 p.Retrieved from http://etnoua.info/rajonuvannja (Date of access to the site 06.02.2017). [in Ukrainian].
Makarchuk Stepan (2012). Istoryko-etnohrafichni rayony Ukrayiny (Navchal'nyy posibnyk) [Historical-ethnographic regions of Ukraine (handbook)]. L'viv: Lviv Ivan Franko National University, 352 p., 53 ill. Retrieved from: http://torba.etnoua.info/files/Istoryko-etnohrafichni-rajony-Ukrajiny_SMakarchuk_2012.pdf (Date of access to the site 06.02.2017).
Ukrayins'ki etnichni ta etnohrafichni zemli [karta] Vykorystani materialy doktora heohrafichnykh nauk, profesora Fedora Zastavnoho [Ukrainian ethnic and ethnographic lands [map]. Selected materials by doctor of geography, professor Fedor Zastavnyi]. On edition: Zahal'noheohrafichnyy atlas Ukrayiny [General geographical atlas of Ukraine] (2004). Kyiv: DNVP “Kartohrafiya”, pp. 12–13.Retrieved from http://etnoua.info/rajonuvannja (Date of access to the site 06.02.2017). [in Ukrainian].
